THE MIND'S EYE Larry Fessenden: A Horror Genre Renaissance Man

Larry Fessenden is truly a horror genre renaissance man. A director, writer, producer, actor. Appearing as Mike Connors in The Mind's Eye directed by Joe Begos will mark Mr. Fessenden's fourth time acting in a film that has premiered at the Midnight Madness program. Larry is always a joy to watch in a film, a talented and fearless actor who puts everything into his performance.

Larry started making short films with a Super 8 camera in high school and took that passion to NYU film school. As he has said, "I was born to make movies." He was naturally drawn to tell stories in the horror genre. "I have a slightly, paranoid nature, I just see the world filled with a sense of the potential for things to go wrong. So, I kind of live in a genre reality."

His second film Habit found an audience and was critically well received. Here is a snippet of what  Roger Ebert said about the film, "Fessenden, who wrote, directed, acted, and edited this film, is a talent to watch. That he is able to see himself with such objectivity is almost frightening; there is not a shred of ego in his performance."

Some of Fessenden's other films as a writer director include Wendigo, Beneath and The Last Winter. Not content to just make a movie for the sake of making a movie his films usually have a subtext, such as, addiction in the vampire film Habit or the perilous state of the natural world and environment which propels the undercurrent of The Last Winter.

In 1985 he founded his production company Glass Eye Pix. The name was derived from a decorative glass eye a friend gave him and said, "Here's to your vision," as well as paying homage to the Jimmy Cagney film Yankee Doodle Dandy where a Variety headline appears "Sticks Nix Hick Pix." Glass Eye Pix is still going strong having been one of the companies that has produced every single film Larry has directed as well as producing many other films most notably, I Sell The Dead and Stake Land. Recently he has become a curator and producer of Tales From Beyond The Pale. Tales is billed as "Radio Plays For The Digital Age".  

It was Larry's love of acting that initially drew him into film making so it was only logical that he would continue to perform in front of the camera -- in his own films -- but also appear in films made by Martin Scorsese Bringing Out The Dead, Jim Jarmusch Broken Flowers. Holding true to his roots and passion for the horror genre Larry has supported and acted in a lot of genre films. Larry has the distinction of having appeared in three previous films that have screened at the Midnight Madness program. Vanishing on 7th Street, You're Next and the 2010 People's Choice winner Stake Land which he also produced.

You can read an interview where Mr. Fessenden talks about producing the Jim Mickle film here. Larry's fourth time acting in a Midnight Madness premiere coincides with the 4th dimension in the The Mind's Eye a film about telekinesis. Coincidence? Then the very next night Larry will appear in Southbound which will also have it's world premiere.

Here is a video interview I conducted with Larry Fessenden in 2008.



THE MIND'S EYE screens:
Tue, Sept 15, 11:59 PM RYERSON
Wed, Sept 16, 12:00 PM SCOTIABANK
Thu, Sept 17, 12:15 PM SCOTIABANK
Thu, Sept 17, 3:30 PM BLOOR HOT DOCS
Sat, Sept 19, 7:00 PM SCOTIABANK

SOUTHBOUND screens:
Wed, Sept 16, 11:59 PM RYERSON
Fri, Sept 18, 6:00 PM SCOTIABANK
Sun, Sept 20, 3:30 PM SCOTIABANK
 

Stake Land on the Midnight Madness Red Carpet

On September 17th, 2010 Stake Land received it's world premiere at Midnight Madness. I was able to speak with the creators of the film prior to the screening. Here is that footage.



On September 19th, 2010 Stake Land was awarded the Cadillac People's Choice Midnight Madness award.

STAKE LAND dubbed Midnight Madness Cadillac People's Choice Award!

In case you missed Stake Land on Friday and Saturday, tonight's 9PM screening at the AMC 2 is your last chance to see the film which earlier today received the Cadillac People's Choice Midnight Madness Award!

And let's not forget the runner-up, Fubar II! Who would have thought Midnight Madness audiences loved road trips films so much -- one with vampires, the other with hosers.

Stake Land Q&A

Ever since Stake Land director Jim Mickle was 15 years old he dreamt of showing a film in Midnight Madness at TIFF. Tonight he checked that off his bucket list. Stake Land gives us truly monstrous vampires that scare the living crap out of you. These aren't teenage heartthrobs pontificating about their place in society. These vampires want to suck the blood out of you as violently as (in)humanly possible! Here are some highlights from the Q&A including: how Nick Damici prepared for the role of Mister, some information about the vampire prosthetics, and Danielle Harris' pregnant prosthesis.



On a personal note, this is going to be my last post for a while because I leave the Reel world on Sunday and go back to my job as a Six Sigma Black Belt (that's really my job title folks.) I'll post some higher quality uncut intro and Q&A vids later next week then I'll see you all this time next year.

Stake Land screening times:
Saturday, Sept 18. 12:15pm Scotiabank Theatre 4
Sunday, Sept. 19. 9:00pm AMC 2

Tickets can be purchased at the official TIFF site.

The Ugly Truth about Vampires

Seems like lately the world has been overrun with the pretty vampires, certain spakle-pires I won't mention here. But even here at Midnight Madness we had an Ethan Hawke vampire in Daybreakers last year. It's enough to make that chewy-faced guy from Stake Land insecure. Sure Bela had it going on but there's a long history of plain, ugly, plain ugly and even fugly vampires dating way back to Dr. Polidori's The Vampyre and the later Victorian Varney the Vampire.

Whatever else Christopher Lee's Dracula had going on, it wasn't prettiness. (He was kinda the Iggy Pop or Lance Henriksen of vampires).


Oh wait, Lance Henriksen was a vampire.



Really, Iggy Pop would make a fantastic vampire. I mean, look at him.


He needs a blood transfusion, stat!

But the point here is that for most of vampire history, beauty has been in the eye of the beholder--usually a woman in hypnotic thrall.


Sure, Graf Orlac isn't pretty, but if you look at him right he is adorable in a lost kind of way.

He's got a lot to give, ladies (and Renfields).

Stake Land screening times:
Friday, Sept. 17. 11:59pm Ryerson
Saturday, Sept 18. 12:15pm Scotiabank Theatre 4
Sunday, Sept. 19. 9:00pm AMC 2

Tickets can be purchased at the official TIFF site.

Five (okay, four and a half) Cool Vampires Before STAKE LAND!

Tonight's Midnight Madness selection, Stake Land is sure to satiate all the real vampire lovers who stuck with True Blood through a season that contained several shark-jumping moments, and those who aren't currently trolling their favourite message boards about how TIFF 2010 selection, Let Me In is soooooooo much worse from the original (spoiler: it's nothing of the sort) while sweeping Cheetos crumbs and drool off their keyboards.

But it got me thinking - we've seen some pretty awesome bloodsuckers in our time that are nothing like the emo halfwits in Twilight. Here's a few that have captured our imaginations and reminded us that being dead just might not be so bad.

#1 Russell Edgington - A new entry on anyone's vampire top five, Russell Edgington was sadly one of the only bright spots of this last season of True Blood. The scene depicted above features the 'Vampire King of Mississippi' despining a news anchor, before declaring war on humanity and trumpeting vampire superiority. It was one of the most riveting TV moments from this year, and hopefully True Blood will turn a corner and provide a few more next season. Basically I just want to see more spine-ripping in general because there's so little of it on The Good Wife.
#2 Charles Bromley - The badass vampire CEO from last year's Midnight Madness selection Daybreakers shocked audiences with a class and sophistication you just don't find in most vampire flicks these days. He wasn't even just evil on an animalistic, blood-sucky level either - this dude sold out his own daughter and tried to harvest the entire human population for food. I think that qualifies him for Bond villain territory.



#34 Abby/Eli - Let Me In's Abby is burdened with the weight of having to live up to another awesome vamp, Let The Right One In's Eli. They are, after all, the same character. But they have their distinctions so I'm being lazy and counting them as two. Abby/Eli is a very, very old vampire in a tiny body, who enlists old men to do her bidding and the very dirty work of getting blood from an unsuspecting gaggle of victims. She doesn't say much, has a disturbing habit of hanging out under bridges, and can definitely come off as cold, but we can't help but love her when all is said and done.
#5 The Count - Not scary? Think again! The Count is one of the scariest dudes on this list for one single reason - he preys almost EXCLUSIVELY on children. Sure, he lures you in with his promise to reveal what comes after the number eight (nobody knows) but once that castle door closes and the Sesame Street cameras stop rolling, The Count is just as viscious and bloodthirsty as the rest. I mean, what do you think happened to Mr Hooper?

Stake Land screening times:
Friday, Sept. 17. 11:59pm Ryerson (tonight!)
Saturday, Sept 18. 12:15pm Scotiabank Theatre 4
Sunday, Sept. 19. 9:00pm AMC 2

Tickets can be purchased at the official TIFF site.

Raising the Stakes

The creative team behind Stake Land talk about heroes with the Midnight Madness Blog...

Since the eighties, there has been a decline of the male action hero in horror films. Back then we had Bruce Campbell taunting demons, Kurt Russell fighting Things, and Rowdy Roddy Piper chewing bubble gum and kicking ass.

After that, we saw more and more females, soon to be defined as "final girls" taking on hero roles. The Final Girl hit its mainstream apex with Neve Campbell's portrayal of Sidney in the Scream films. Not only that, but in the nineties, we also saw the rise of empathetic villains stealing the hero spotlight all together with Jason Vorhees, and Freddy Krueger getting more screen time, and in Freddy's case, dialogue than the actual protagonists of the film. This trend continued to the point of Child Play's murderous doll Chucky becoming a full on protagonist in his more recent outings.

However, all through this, the males heroes have been having a tough time. While I intend to take nothing away from George Clooney's awesome performance in Dusk Till Dawn, or Vin Diesel's Riddick-- the male heroes of genre movies had become increasingly sinister. After the dust settled, these were not savory characters who you would invite to your home. More and more it seemed that these were bad people doing good deeds; but in no way did they intend to be redeemed. One could easily assume they went back to being their bad selves after the credits rolled.

When you look to TV's currently most successful hero, it's Michael C. Hall's Dexter - a serial killer who hunts other killers. Is it even possible to have cool male heroes in a horror movie who can realistically fight the evil forces convincingly... while also being a good human being?

With Mulberry Street, we saw a new force buck against this trend, where Nick Damici's character Clutch does everything in his power to save the tenants of his mutant rat infested building. The striking thing about that film, was that while Clutch was so tough, he was also incredibly human and believable. Here was a tough guy who genuinely cared about people- and not fleetingly or selectively. And he kicked ass. And I don't mean kicking ass by suing the villains or calling the police. This was a nice guy who could convincingly overcome his foes, without super powers, psychotic rage, or criminal talents. Just a good guy trying to do the right thing.

Now Mulberry Street's creative duo return with a new tale of apocalyptic terror. Nick Damici stars as a grizzled warrior teaching and protecting a young man in a doomed age of vampires in this year's midnight madness selection Stake Land.

And for my money, this further cements Nick's triumphant rise as a new kind of horror hero; one that cares about you!

I recently caught up with the director Jim Mickle, and writer/actor Nick Damici, and asked them some questions to test my theory.

NICK DAMICI - writer, actor

Do you write parts for yourself, or do you write the character as someone different in your mind and then you become that person -- as a writer how do you separate yourself from the story to become the actor, or what’s your method?

I write the characters generally with someone in mind including myself. As far as separating myself from the writing and moving into the acting, they are different processes taking place at different times so it's pretty easy. I'm not precious about what I write and often end up letting the actor in me edit the writer. When I not sure of something or it doesn't seem clear to me, I talk to Jim...

Have you ever had a “hero moment” in real life?

I've had a few scary moments, and you just react or you don't. I've been lucking in that I generally react. It's a reflex decision so I don't think heroism really comes into it.

How do you view your roles as a writer, and how do you approach them from an actor's standpoint?

I try to keep my characters as close to me as I can generally and then just try to be as honest as I can in my portrayal.

Who are your heroes in film, life, etc?

My film heroes range from King Kong to Bogart in films. In life I see heroes in anyone who faces the world honestly and with humility. People who have the courage to embrace the gift of our lives in the face such a shitty world.

What other kinds of characters are you interested in exploring?

I'd love to do a real period peace and stretch a bit. I played Sherlock Holmes in a play two summers ago and had a ball. I'd love to re-visit Mister some time in the future and maybe see how Martin turns out as a man.

JIM MICKLE - director

How did you two first meet?

I met Nick on a student film almost 10 years ago. I was doing lighting for a friend and Nick was playing an ex-con school bus driver. We hung out after the shoot and realized we had the same crazy tastes for movies and filmmakers and over the next few years we pipe dreamed about doing a movie together and working with guys like Tim House (from Mulberry Street) and other friends. Mulberry Street came about out of a mutual desperation to work on our own projects. And now that friendship has led to a pretty potent creative juice and we wind up making these hard to define, hybrid genre movies.

What was your first impression of Nick as an actor?

The first time I saw Nick he was acting in a scene and I was probably stacking sandbags on the side, but I remember thinking "Holy Shit! This guy's the real deal." So many times in the independent film world you see a guy who looks tough or sounds tough but you can tell it's an act, and they're trying really hard to fill a type. With Nick he just is. He's confident as a person and as an actor and he never has to push. Some people do that, but they're bland and no one wants to see them in movies. Nick can be himself, but he's got that great cinematic quality that pulls you in and keeps you watching more.

How did he convince you to play the lead?

He never had to. He wrote it for himself to play, and the cool thing was, it was the least doubtful decision of the whole film for everybody. I remembered being concerned at first that someone would want to put a huge name in that role but once people liked the script and met him for two seconds, the case was closed. He IS Mister.

As Nick wrote the script, did he need to audition; and if not, what was the major selling point for you in using him?

Nick wrote the script, and no he never had to audition. Because it was all born from his mind, I actually had to catch up with him on the character and the world. He was so engulfed in the joy of creating a character, that it was a pleasure to sit back and be a part of the ride. He slept in a tent during the shoot, camped out, carved his own weapons, sewed his own clothes. He made his own leather pants. He spent a few rainy nights sleeping in the car. By the time we started shooting, he was just doing his thing, and we grabbed the camera and just hoped to make it translate to the screen..

Has your collaboration gotten more in tune with a second feature film together?

Absolutely. We also did a short film and teaser trailer for another feature. I remember working with him on set before Mulberry Street and being amazed that someone was as enthusiastic and excited to be creating something as I was. It was like running around in the backyard making films as a kid and forgetting that the rest of the world exists outside of your little movie. By Stake Land, we know what the other guy is looking for, so the only time we need to speak up is if we're violating something in the story, or if we're screwing up a good idea by trying to pull off too many ideas. It's fun to hit that groove with someone.

What would YOU do in a vampire apocalypse?

I'd go to Nick's apartment and watch him go to work.

Check out the team at work in Stake Land, mere hours from now as it premieres at Midnight Madness!

Stake Land Screening times:

Friday September 17 11:59:00 PM RYERSON

Saturday September 18 12:15:00 PM SCOTIABANK THEATRE 4

Sunday September 19 9:00:00 PM AMC 2

Midnight Producers Part 6: Larry Fessenden - STAKE LAND

This is the last in my series, Meet the Producers of Midnight Madness 2010

Let me introduce you to legendary N.Y. producer Larry Fessenden, producer of Stake Land



Larry Fessenden may not be a name you instantly recognize but the name is one that has probably been involved in some of your favorite films. At this year's Midnight Madness alone Mr. Fessenden's reach is felt, from Ron Perlman that has worked numerous times with Mr Fessenden, from The Last Winter which was written and directed by Larry as well as I Sell The Dead which Mr. Fessenden not only produced with his company Glass Eye Pix but also acted in. If you were looking really close during Brad Anderson's Vanishing on 7th St, there was Larry on the big screen again, which brings me to Stake Land. Stake Land was also produced by Glass Eye Pix. He has over forty acting credits, has produced 35 films and has numerous directing credits for feature films, shorts and documentaries. In short. Mr. Fessenden is not only a remarkable talent but is truly a tireless advocate for independent cinema.






1) As others are talking about recession and economic downturns you and Glass Eye Pix seems to be thriving in the film world, how do you equate your success in remaining in business and producing quality work?

We were very fortunate to have had financial support throughout the recession of Dark Sky Films. The association began with Ti West’s THE HOUSE OF THE DEVIL and that lead us to strike a deal to produce three more movies over the course of 18 months: BITTER FEAST, STAKE LAND and HYPOTHERMIA. And that was followed by another Ti West film, THE INNKEEPERS. So we’ve had a very good run of it with Dark Sky. In the 2000’s Glass Eye Pix invested in the careers of several filmmakers including Ti West, Graham Reznick, James McKenney, and Glenn McQuaid, as well as Kelly Reichardt and Ilya Chaiken, and the consistent model was to make films of artistic integrity at a very low budget. During more lucrative times we could get reimbursed for our efforts. It is our hope that in these lean years our model of frugality and originality will be attractive to new investors. It is important not to discount the sheer talent we have tapped in to. And I believe there is a tone throughout all the films from Glass Eye Pix that stands in marked contrast to the mainstream or even “indie” output and that is our brand.

2) How difficult was it to find the money to produce Stake Land? What challenges did you face that were unique to this film?

Stake Land was the most solid pitch we had for our slate of three movies with Dark Sky Films; it had the elements that looked good on paper: vampires, the post apocalyptic setting, and the director Jim Mickle had made a successful first film but still was hungry enough to go from no budget to low budget with gusto and conviction. So the film was financed easily, as part of an overall slate. The challenges were many from there. First, the script had to be reworked over several months to shape it into the feature it’s become, and then the epic scope of the story had to be fit into the budget. We determined to split the shoot into two parts, so we could experience on film the change in seasons. This was a gamble that paid off, but one that can stress a budget and crew and spook most financiers. As with all our films, we choose to emphasize post production: sound design, music, graphics, visual effects, the color correct and mix, all are an essential part of the experience we want to deliver, and again, the challenge is to strategize to get the most out of what is left of the budget after a grueling shoot. By using the same team of people in post-production on several films, we have been able to get a lot of bang for the buck.

3) What is something that you have learned as a producer that you wish you knew when you started out with your first feature Habit?

There is no one thing that has changed since I made HABIT in 1994. With HABIT, I established many of the principals that I still employ: A small crew (there were seven of us on HABIT), an open schedule (we shot over 45 days), and a long post-production emphasizing sound design and a rich, live score, all driven by a resourceful, single-minded auteur (which was me at the time). With HABIT, I endured a tsunami of festival and distribution rejections and so I released the film myself, compelling me to learn about marketing and exhibition. That experience taught me that there are no answers in show biz, there is only conviction. I have applied that to film after film with various degrees of success since, and it has helped several careers get started through Glass Eye Pix. Another thing I have learned since HABIT is I need my own producer to take care of the nuts and bolts of production. I may have a philosophical overview that drives the ship, but it was HABIT’s producer Dayton Taylor that got the film made, Jeff Levy-Hinte who got my subsequent films made, and now Peter Phok and Brent Kunkle have been instrumental in getting a slew of new pictures made. Collaboration in film at every level is essential.

Stake Land screens:
Friday, Sept 17 11:59PM RYERSON
Saturday, Sept 18 12:15PM SCOTIABANK THEATRE 4
Sunday Sept, 19 9:00PM AMC2

You can purchase tickets from the official TIFF website.

Stake Land Premieres Tonight!

Am I the only one who gets hungry when he hears the title Stake Land? Part of it could be that at this point in the fest a lot of my primary functions are effectively shutdown and I've been ignoring the urge to eat and a good steak always sounds great at 3 am.

At this point I'm on autopilot: Sleep. Stand in line. Screening. Camcorder. Blog. Lather. Rinse. Repeat.

But enough whining. What I wanted to talk about is Stake Land and its director Jim Mickle. The picture at the top of the post is of Jim hanging out after the premiere of Red Nights. I've seen Jim at nearly all the midnight screenings hanging out and supporting the other films. Take that all you naysayers who think TIFF is snobby. Midnight directors buy their tickets, stand in line, and sit in the non-reserved section just like the rest of us.

Jim has been showing the Midnight Madness program mad love all week so lets throw some back his way. Get your tickets ASAP.

Stake Land screens:
Friday, September 17. 11:59PM Ryerson
Saturday September 18, 12:15PM Scotiabank 4
Sunday September 19 9:00PM AMC 2

You can purchase tickets from the official TIFF website.

Midnight Madness Picks: Rue Morgue's Dave Alexander

More Midnight Madness Picks -- this time from Rue Morgue Magazine's Editor-in-Chief Dave Alexander. Besides producing a heck of a mag every month, he programs Rue Morgue's monthly Cinemacabre screenings at the Bloor Cinema, runs MSN Movies' Blogtastic Voyage, and knows the lines to Magnum Force verbatim.

1. Fubar 2

Being from Alberta, the hoser headbanger epic that is Fubar is close to my heart (well... maybe closer to my liver...), so I plan on putting on my tightest pair of black jeans, crackin' a few cold ones before the screening and just givin' 'er for this opening night MM film. With a bigger budget, eight years for the story to germinate in co-writer/director Michael Dowse's head, and a killer premise that sees dirtbags-in-arms Dean and Terry seeking fame and fortune in the Northern Alberta oil patch, I fully expect the good to be cranked waaay up on this one, and the suck to be turned down. Besides, with their balding buddy Tron returning, there's no way this one can funkin' blow.

2. Stake Land

I love director Jim Mickle and writer/star Nick Damici's Romero-influenced rat apocalypse movie Mulberry Street, so I expect their politically-charged vampire apocalypse tale to make a big, bloody splash. Glass Eye Pix – Larry Fessenden's company – has a great track record and seems like the perfect indie film fit, plus I like the grim atmosphere of the trailer and that they use a Leadbelly tune on the soundtrack. I'm anticipating the welcome antithesis to a certain popular tween wuss-vampire franchise. That's right, suck it, Twilight, Stake Land will PWN you. OMG! LOL!

3. Super

James Gunn made one of my favourite horror comedies, Slither, plus the little seen superhero spoof he wrote called The Specials has some great moments in it (if not quite enough budget to match its ambitions). With that nerd cred, you can expect serious laughs out of movie about a costumed vigilante armed with a monkey wrench. But wait, we've also got The Office's Rainn Wilson in the lead, Ellen Page in the role of sidekick, and shore it up with the likes of Liv Tyler, Kevin Bacon and Michael Rooker in supporting roles? That's a recipe for spandex-busting wannabe superhero shenanigans if ever there was one.

--

Super screens:
Monday, September 13. 9:30AM Varsity 8
Saturday September 18 6:00PM Scotiabank 4

Fubar II screens:
Thursday September 9. 11:59PM Ryerson
Saturday September 11 12:00PM Varsity 8

Stake Land screens:
Friday, September 17. 11:59PM Ryerson
Saturday September 18, 12:15PM Scotiabank 4
Sunday September 19 9:00PM AMC 2

You can purchase tickets from the official TIFF website.

Five Questions With STAKE LAND Director Jim Mickle

Jim Mickle is taking the sexy out of the vampire. No more forbidden love. No more glamour. No more of anything but fangs and blood and violence. Mickle's Stake Land (premiering Friday, Sep 17 at Midnight!) takes to the big screen for the first time Friday and the director was good enough to answer a few questions about his latest creation and his producer / mentor Larry Fessenden.

How long would it take one of your vampires to eat the entire cast of Twilight? Would it begin to sparkle after doing so?

My hunch is the Twilight cast would be too bland for our vamp's taste buds. Our guys are more of the meat and potatoes, blood and viscera kind of crowd.

Your vamps seem like a much darker, more primal take on the vampire mythos. Did you use anything in particular as a reference point when setting the tone and style of your creatures?

The main goal with our vamps was to make them scary again. Keep them feral and nasty, and not go down the romantic, sexy road with any of them (though one of our young vamps is very cute, even with teeth). Nick Damici (the lead actor and co-writer) and I are both big Richard Matheson fans, so I'm sure the "I Am Legend" novel found its way into shaping not just the attitude of our creatures, but the world as well.

From the scenes I’ve already seen it appears that there’s a layer of political commentary in the film that goes beyond just the creature action, can you describe the world that the film takes place in a little more?

"Stake Land" takes place in an apocalyptic America overrun by vampires. Political and economic downfalls have all but emptied out the major cities, and survivors are clinging to small locked-down towns to survive. Besides vampires, the real threat is a fundamental, militaristic, faith based group that's out to cleanse what's left of the country. We basically tried to envision a US that couldn't recover from its very divided path, dropped in a vampire epidemic and let the story evolve from that world.

This is two creature features in a row for you, what’s the appeal?

Honestly it's kind of an accident. After "Mulberry Street" I told myself "no more creatures. Something smaller scale next time." And then the opposite went and happened. We had a few very different scripts and pitches, but once Larry Fessenden got involved, the enthusiasm and drive for this particular story was kind of impossible to rein in. Then the momentum of the characters and their relationships trumped all and I found myself back behind the camera looking at teeth molds and blood tubing all over again! The beauty is that although both films would make for a very cozy double feature, they couldn't be more different in most regards. At the end of the day, it's all about the characters and the world.

You’ve got Larry Fessenden on board as a producer for the film, what has he taught you as a young filmmaker doing genre films?

I'd say it's more of a philosophy with Larry than any one lesson. He leads by example and encourages (and sometimes demands) that you follow your own instincts as a storyteller, and that's what has led to such a diverse collection of films under his roof. In a way, he becomes the muse for all these little overachieving films. It's rare to find people with a deep, genuine love and admiration for the genre, who can still see filmmaking as this magical event of creating an illusion, even after being in the business as long as he has. And he has this scary ability of selling a budget limitation as a good thing that will only make for better choices in the final film. So when you put a guy like that in a producer capacity, it's very easy to let that energy trickle down through every aspect of making a film. One of his first great lines to me as a director ended with "I'm not bringing you in to make "Terminator 4" Mickle. I'm bringing you in to give it a heartbeat." He said it with his old-timey, cigar-chomping, producer guy voice, but it made it very easy to make the film the right way after that.


With Stake Land literally finishing post production right about now there is still no proper trailer for the film but if you want a brief taste you can check out the initial teaser - cut together with raw footage from the first few days of shooting - below.

Stake Land screens:
Friday, September 17. 11:59PM Ryerson
Saturday September 18, 12:15PM Scotiabank 4
Sunday September 19 9:00PM AMC 2

You can purchase tickets from the official TIFF website.

STAKE LAND A Must See of 2010

When the Midnight Madness programme was recently announced one film that immediately grabbed my attention was Stake Land

The reason for my my excitement?

Firstly, the director Jim Mickle. Click here for an interview with him over at Twitch

It is not uncommon during a film festival Q&A to have some one raise their hand and ask, "How much was your budget?" Well Mr. Mickle's first feature Mulberry Street was made for a tiny fraction of most budgets and proved that it's not the cost of your film that matters but the amount of talent and imagination. Mulberry Street transcended all it's limitations and announced the arrival of a major new talent.

Secondly, the producer Larry Fessenden. Larry is one of those cool indie N.Y. film makers who not only makes horror films but is a huge fan of the genre. Check out my 2008 interview with him here:

Lastly, the film itself. Here is the first trailer for Stake Land. A film that people will be talking about long after the end credits.

Screening times for Stake Land are: Friday, Sept. 17th at the Ryerson Theatre at 11:59 pm, Saturday, Sept. 18th at the Scotiabank Theatre #4 at 12:15 pm and at the AMC Theatre #2 at 9 pm.