THE FINAL GIRLS: Premiere Red Carpet Video Interviews with Malin Åkerman, Taissa Farmiga and Director Todd Strauss-Schulson

 

It was very felicitous that the final 2015 Midnight Madness screening was the film The Final Girls. Adding to the party atmosphere of the last film of another great program was the star presence of the cast in person. Robert A. Mitchell was on the red carpet and spoke with actresses Malin Åkerman, Taissa Farmiga and director Todd Strauss-Schulson who also brought the energy!

SOUTHBOUND: World Premiere Video Interviews Roxanne Benjamin, Patrick Horvath & Brad Miska

Southbound world premiered last night. Robert A. Mitchell took a wrong turn on the highway and wound up a desolate stretch of lonesome two-lane blacktop. All was not lost as he spoke with some of the creators of the film. Roxanne Benjamin, Patrick Horvath and Brad Miska.


 SOUTHBOUND screens:
Fri, Sept 18, 6:00 PM SCOTIABANK
Sun, Sept 20, 3:30 PM SCOTIABANK

THE MIND'S EYE: World Premiere Video Interviews Joe Begos, Graham Skipper, John Speredakos & Larry Fessenden

The Mind's Eye premiered at Midnight Madness last night! The Ryerson Theater is still shoveling snow, mopping up telekinetic brain juice and blood, lots and lots of blood! Robert A. Mitchell was on the red carpet and battled telekinetic actors, a freak September snow storm, dodged an axe and barely got out of the way of several shotgun blasts to file this video. Robert talks to director and writer Joe Begos (Almost Human) about his sophomore film as well as actors Graham Skipper, John Speredakos and genre legend Larry Fessenden.

THE MIND'S EYE screens:
Thu, Sept 17, 3:30 PM BLOOR HOT DOCS
Sat, Sept 19, 7:00 PM SCOTIABANK

THE GIRL IN THE PHOTOGRAPHS: World Premiere Video Interviews with Nick Simon, Kal Penn, Claudia Lee, Luke Baines

The Girl in the Photographs had its world premiere at Midnight Madness last night. Amidst the many flashbulbs of the photographers taking pictures of the cast Robert A. Mitchell was also on the red carpet. He spoke with director and co-writer of the picture Nick Simon. Kal Penn, Claudia Lee, Luke Baines, Kenny Wormald and Autumn Kendrick. Wes Craven was an Executive Producer of the film and many touching and heartfelt words were spoken in honor of one of the great genre filmmakers. Dean Cundey (Jurassic Park, John Carpenter's Halloween) legendary cinematographer also lensed the picture. All in all it was a very fun night at Midnight Madness.

 

THE GIRL IN THE PHOTOGRAPHS screens:
Wed, Sept 16, 5:00 PM SCOTIABANK
Fri, Sept 18, 9:15 PM SCOTIABANK

SPL 2: Interview with Director Soi Cheang

Director Soi Cheang is making his first appearance at Midnight Madness this year with SPL: A Time For Consequences. But he's had other films at TIFF. Accident (2009), starring MM Alumnus Louis Koo, and Motorway (2013), starrring MM Alumni Anthony Wong Chau-sang and Josie Ho, screened in the Vanguard Program. This year Soi Cheang brings a follow-up to Wilson Yip's SPL / Sha Po Long / Killzone. SPL blew the roof off Midnight Madness in 2005--with Sammo Hung in the house. In taking on the sequel, Cheang brings new characters and locations to the series, with characters played by MM Alumni, Wu Jing, Jony Jaa, Louis Koo and Simon Yam. And Cheang maintains some of the original's sensibility. There will be fights. There will be fights in a Thai prison. Simon Yam might be in peril.

Like many Hong Kong directors, Soi Cheang got his start on Hong Kong's iconic television station, TVB. He went on to become an assistant director for Johnnie To and Accident and Motorway were both produced by To's Milkway Image Ltd. Cheang even did some shooting for Wilson Yip on the first SPL. Cheang's filmography is pretty diverse now, ranging from grimmer films like Dog Bite Dog  (2006) to the family friendly Monkey King 3D (2014).

Tony Jaa and Wu Jing throw down.

Director Cheang was kind enough to answer some questions for us in advance of the premiere of SPL2. Since he sent his answers back in Chinese and English, we're posting his answers in both languages.

SPL 2: A Time for Consequences isn't a traditional sequel to SPL. How did you come up with the new story and how does it keep some of the themes and feel of SPL?

已經係一個好完整的故事,無需要延續，如果拍SPL2的話，我同監製都決定重新開展一個故事，當然要保留一點SPL的感覺，我地選擇左保留他的宿命，他的命運這個主題，重新創作所有人物，係一個屬於的自己版本的SPL，今次我們有很多地方的演員，有泰國,香港，要將2個地方係一個主題下拉埋一齊好似幾好，我同監製決定用命運將２個地方的演員結合在故事中

At first, I told him that I wouldn't want to make an SPL movie unless we had a feasible story. And somehow we managed to put together all the characters and the story framework that you see in the current movie. 

Tony Jaa and Unda Kunteera Yhordchanng

You work with many amazing and talented performers in SPL 2. How was it working with them and how did you cast the film? 

 其實每個地方的演員都好好，係好出色的動作片演員，當然我們會抽取每個演員特質，或我對每個演員的感覺，如Tony Jaa我不希望他演殺手，但我好希望他似他第一部作品《拳霸》中，單純直接的性格，另外吳京我希望他成為一個未見過的吳京，他以前經常很威風打人的，今次在命運的谷底裡慢慢掙扎上去，今次每個演員我都盡量有一點不同和鮮明的風格放在他們身上，希望每個人都特出

In fact, they are all good action movie actors. We were grounded in the characteristics of each actor or how I feel about each actor. For example, I don’t want Tony Jaa be a killer. I would like him to be a simple and headlong man, just like in Ong-Bak. Besides, I want the audience can see the other side of Wu Jing. He is always power and prestige in the past. This time, I want him down in the dumps and struggling. This time, I have tried a different and distinctive style on every actor, I hoped everyone could be outstanding.

Wu Jing, struggling. (Simon Yam in peril)

How was working with action choreographer Li Chung-chi?  

一開始我們討論每一場戲的動作和我的要求，當然我們在現場會作出很多修改，有些想法一起創造，有一些場口是我決定氣氛，李忠志在我給我框框下發揮

We started to discuss the operation of each scene and my demands. We have made many adjustments on site. There were some ideas we created together. And there are some scenes were I decided to do for atmosphere, then he developed it. 

I've read you started in the film industry as an assistant director for Wilson Yip Wai-shun, Ringo Lam, Andrew Lau and Johnnie To. How have they influenced your filmmaking? What other filmmakers or films have influenced you?  

每個跟我合作過的導演對我有很大影響，因為在他們身上學到很多，好似你們提到的Wilson Yip, Ringo Lam, Johnnie To 他們都對我很大影響

Those directors that I've worked with are a great influence on me. I learned a lot from them. As you mentioned, directors like Wilson Yip, Ringo Lam, Andrew Lau and Johnnie To. They have a great influence on me.

Zhang Jin and Tony Jaa.

There are three languages in SPL2: Cantonese, Mandarin and Thai. What were some of the challenges and benefits of shooting in so many languages?  

拍攝時，語言上都係一個挑戰，但對於我們來說都是要克服的，我想最大的難題是張晉，因為他根本不是泰國人，他要完全講泰文的對白，對他來說是一個幾大的挑戰，我覺得他學得很快，很有語言的天份，令到拍攝很順利

Language is challenge for us during shooting. But we have to overcome it. I think there was a big challenge for Zhang Jin. Although he is not Thai, he had to speak in Thai during shooting. I think he is very talented in language. So it made the shooting very smooth. 

Thank you so much, Director Cheang! 


 SPL 2: A TIME FOR CONSEQUENCES screens:
Thu, Sept 17, 11:59 PM RYERSON
Fri, Sept 18, 3:30 PM BLOOR HOT DOCS
Sun, Sept 20, 6:30 PM SCOTIABANK

THE DEVIL'S CANDY: Video World Premiere Interviews with Sean Byrne, Ethan Embry

Sean Byrne made his long awaited return to Midnight Madness with The Devil's Candy. Sean's first film, The Loved Ones, won the 2009 Midnight Madness People's Choice Award. Robert A. Mitchell had the opportunity to speak to Sean and actor Ethan Embry mere moments before the world premiere of The Devil's Candy.

 

THE DEVIL'S CANDY screens:
Tue, Sept 15, 6:45 PM SCOTIABANK
Sat, Sept 19, 1:15 PM SCOTIABANK

HARDCORE: Video World Premiere Interviews with IIya Naishuller, Sharlto Copley, Timur Bekmambetov,

Hardcore had its world premiere last night at Midnight Madness and Robert A. Mitchell had to elbow, punch, jump over a flaming car and drop out of a helicopter to get the interviews with IIya Naishuller, who wrote and directed this amazing new POV action film. He also spoke with actor Sharlto Copley and producer Timur Bekmambetov.


 

HARDCORE screens:
Mon, Sept 14, 4:15 PM SCOTIABANK
Fri, Sept 18, 1:00 PM SCOTIABANK

GREEN ROOM: Video Premiere Interviews Jeremy Saulnier, Sir Patrick Stewart, Alia Shawkat, Anton Yelchin, Macon Blair

Last night's premiere of Jeremy Saulnier's Green Room was an exciting night. Robert A. Mitchell was on the red carpet and spoke with Jeremy as well as some of the amazing cast, Sir Patrick Stewart, Anton Yelchin, Alia Shawkat and Macon Blair.


THE CHICKENING with GREEN ROOM Final Screening:
 Sat, Sept 12, 2:15 PM BLOOR HOT DOCS

Interview with GREEN ROOM Director, Jeremy Saulnier

Jeremy Saulnier hit the scene in 2007 with his set-on-Halloween comedy, Murder Party. In it, the lead character finds himself at a ‘Murder Party’, dressed in cardboard armor, trying his best to not be killed by the party’s hosts, who are dressed in sweet costumes like Pris from Blade Runner, and a Baseball Fury from The Warriors.



He then spent the large part of the next 6 years working as a cinematographer for independent films like, Septien, Putty HIll, You Hurt My Feelings, and I Used To Be Darker.



In 2013, he returned to the director’s chair with Blue Ruin, which took the revenge film genre, flipped it on its head by having its lead character be a normal guy who’s a bit inept when it comes to murder. It was beautiful, brutal, and shockingly for the genre… emotionally engaging! (Check it out on Netflix if you haven’t seen it!!)



Saulnier returns to TIFF this year with his latest film, Green Room, starring Imogen Poots, Patrick Stewart, Alia Shawkat, and Anton Yelich. He was kind enough to answer a few questions for the Midnight Madness blog.



Midnight Madness Blog: I’m thrilled that there was only a 2 year gap between Blue Ruin and Green Room, instead of the six between Murder Party and Blue Ruin. How long did you have the idea of Green Room in mind, and what do you think are its main influences (either films or events in your life?

Jeremy Saulnier: Thank you. I’m quite thrilled myself! That was certainly the mission- ride the momentum of Blue Ruin and crank out another film before I was discovered to be a fraud! I learned that lesson with Murder Party (2007), which was well received by loyal genre fans but didn’t make so much as a blip on the industry radar. Green Room was an idea that had been gestating even before Blue Ruin, so I figured it should be next. I had been in the punk rock / hardcore scene in Washington D.C. in the early ‘90s, so I knew the world and was attracted to its aesthetic. I had also been in my share of cruddy-ass backstage green rooms and thought it would be a perfect setting for a punk rock siege film. My goal as a director was to ratchet up the tension and create a cinematic experience that would elicit a physical response. Sometimes my brain gets tired and I just want to go for an insane ride with the audience. Tonal references would include River's Edge, Straw Dogs, The Road Warrior and Assault on Precinct 13.

MMB: You’re also a cinematographer, and you shot your last film, Blue Ruin. What was behind your decision to not act as cinematographer again on Green Room, and what about Sean Porter made him the right for the material? His work on Kumiko, the Treasure Hunter and It Felt Like Love is great, and I’m stoked to see that he’s shooting the new Mike Mills film.

JS: Blue Ruin was engineered as a film I could both direct and shoot. It was a single protagonist’s journey, crafted in a methodical, nearly silent way. Me viewing the action through the camera lens was both a natural artistic expression and a cost saving practicality. I knew Green Room would be a different animal. It was my first union shoot, there was an ensemble cast that deserved my full attention and the production itself was a huge technical challenge. I never really thought about managing more than one department on that shitstorm! Sean Porter’s work on It Felt Like Love and Kumiko, The Treasure Hunter stood out to me not only because they were both superb visualizations, but because they were so very different. With that kind of diversity, I knew Sean was invested in story above all else and our styles would mesh seamlessly. Also, and this is a biggie, Sean is a kind and generous human with good intentions. 

MMB: From what I’ve heard, I gather that Green Room is pretty grisly, and maybe more intense than people might be expecting from a movie starring Imogen Poots, Patrick Stewart, Alia Shawkat and Anton Yelich. Was your intention to make a really tough film from the start, and what was the casting process like, to be able to get such a great group of actors with such challenging material?

JS: Yes, this film was a face-melter from the start. I used intense gore not for gratuitous celebration (okay, except for that one scene…), but as a tool for intensifying the action, upping the stakes and exploring the shocking brutality that sometimes accompanies basic self-preservation. The only way to make it all resonate, to make it serve the story was to assemble the best actors I could. They were all fully invested in their characters, and that creates a wonderful environment in which the entire crew can do their best work. What makes the film ‘grisly’ is the not the prosthetic makeup effects or the blood pumps, but the grounded, emotional performances that bring an unbearable humanity to this nightmare. 

MMB: Were you able to attend any Midnight Madness screenings when you were at TIFF with Blue Ruin? If you were, what did you see, and what was your impression of the audience?

JS: This will be my first Midnight Madness screening! The audiences here are legendary. Green Room was a very difficult film to make, and I’m just now starting the celebration in Toronto-- it’s the world premiere of the finished film with an entirely new sound mix since it’s Cannes screening. It’s as if Green Room was carefully concocted in a laboratory for this very audience on this very night! Muhahahaha!

MMB: I know Green Room hasn’t even been released yet, but do you have an idea what your next film might be, or what you hope it will be?

JS: Not sure yet what the next film will be, but there’s a lot of exciting projects I’m circling. I hope that, whatever it is, it will be a step up in scale and an opportunity to make a shit ton of money – err, um- I mean, to challenge myself as a filmmaker and deliver something audiences will love.

MMB: Thanks so much for taking the time to answer a few questions for the Midnight Madness blog! I’m really excited to see Green Room on Thursday!

JS: Thank you! Our entire team is grateful to be here. It’s an honor to open Midnight Madness and I only hope the fans are happy. We’ve got some amazing guests coming tonight!

GREEN ROOM screens:
Thu, Sept 10th, 11:59 PM RYERSON
Fri, Sept 11th, 8:45 AM SCOTIABANK
Sat, Sept 12, 2:15 PM BLOOR HOT DOCS

Video: THE GUEST Interviews With Adam Wingard Maika Monroe Simon Barrett Midnight Madness Canadian Premiere

The Guest was the 2014 closing night film at midnight madness. Adam Wingard & Simon Barrett returned to the Ryerson stage (You're Next). Here is Robert A. Mitchell's red carpet interviews with Mr. Wingard, Mr. Barrett and actress Maika Monroe who was also on the red carpet earlier in the week for her film It Follows which was the first time Robert had talked to the same actress twice for different films playing at Midnight Madness in the same year.

 

WHAT WE DO IN THE SHADOWS: Interview at Digital Journal!

Aside from the excellent interviews by Midnighteer Robert Mitchell, which you can watch here, we've found an interesting interview with What We Do In The Shadows' Jemaine Clement (and Stu!) by Cate Kustanczy at Digital Journal. Kustanczy provides a nice in-depth look at the film.

Owing to the improvised nature of the shoot, it took close to a year to whittle Shadows’ 125 hours of footage down to a 90-minute running time. Stu Rutherford, who plays a human friend in the movie (echoing his real-life, long-term relationship with the filmmakers), recalls doing 14 takes for a scene in which the vampires meet their nemeses, a local werewolf gang, the head of which is played by noted Kiwi actor/comedian Rhys Darby. “I was only there on the edge (of the scene), but thought, this is going to be a problem with the edit,” Rutherford recalls. “Every take had weird tangents and people standing in different places. It was like, wow [...] I know their editor, and thought, ‘This might be quite a nightmare...’”

THE EDITOR Red Carpet Interviews With Adam Brooks Matthew Kennedy Conor Sweeney Sheila Campbell

The Editor had it's world premiere last night. Robert A. Mitchell spoke with directors and co-writers Adam Brooks and Matthew Kennedy as well as actor and co-writer Conor Sweeney and actress Sheila Campbell.





THE EDITOR screening times:
Sat., Sept. 13th, 6:15 PM, SCOTIABANK 4

Video: [REC]4 APOCALYPSE Red Carpet Interviews With Director Jaume Balagueró & Star Manuela Velasco

[REC]4: Apocalypse had it's world premiere last night at midnight madness. Robert A. Mitchell spoke with director Jaume Balagueró and superstar Manuela Velasco on the red carpet last night. I'm not entirely sure but it looked like the red carpet might have been red from the amount of copious blood from this fourth and final(?) installment of the much loved horror franchise.




[REC]4: APOCALYPSE screening times:
Wed., Sept. 10th, 10:00 PM, SCOTIABANK 8

Video: ELECTRIC BOOGALOO: Red Carpet Interviews. The Wild, Untold Story Of Cannon Films

Electric Boogaloo: The Wild, Story Of Cannon Films premiered tonight at midnight madness. Electric Boogaloo marks director and Midnight Madness Alumnus Mark Hartley's third film at the Toronto International Film Festival after Not Quite Hollywood and Machete Maidens Unleashed! Intrepid reporter Robert A. Mitchell was on the red carpet and spoke with director Mark Hartley, actress Robin Sherwood (Death Wish II) and Richard Kraft, the head of music at Cannon Films.




ELECTRIC BOOGALOO screening times:
Wed., Sept. 10th, 9:00 AM, BLOOR HOT DOCS CINEMA
Sun., Sept. 14th, 12:45 PM, SCOTIABANK 11

Video: BIG GAME Red Carpet Interviews with Jalmari Helander Onni Tommila "I'm Not Going To Make GI Joe"

Big Game had it it's world premiere last night at the midnight madness programme at the Toronto International Film Festival. Robert Mitchell talked with director Jalmari Helander (Rare Exports) and actor -- who is also Jalmari's nephew -- Onni Tommila on the red carpet about big adventure at high altitudes, working with Samuel L. Jackson and the difficulties of making a film on top of mountains.



BIG GAME screening times:
Sat., Sept. 6th, 9:00 PM, SCOTIABANK 12
Sat., Sept. 13th, 2:30 PM, SCOTIABANK 12

Video: SION SONO TOYKO TRIBE Red Carpet Interview: "Cinema Is My Life"

Mic Check! Tokyo Tribe! Mic Check! Tokyo Tribe. Testing 1, 2, 3. Yo! Raise your hands up! This is an epic hip-hop battle. Guns, samurai swords, round house kicks to the head and the unrelenting pulsing thump, thump of bass. Sion Sono director of Why Don't You Play In Hell winner of the 2013 Midnight Madness People's Choice award returned to midnight madness last night with his latest picture Tokyo Tribe. Robert Mitchell wasn't going to be allowed on the red carpet but said Yo! Bum Rush The Show! and spoke with the amazing director Sion Sono and lead actor and Japanese hip-hop superstar Young Dias.



TOKYO TRIBE screening times:
Fri., Sept. 5th, 10:00 PM, SCOTIABANK 8
Sun., Sept. 14th, 3:30 PM, LIGHTBOX 3

5 Questions with the Directors of THE EDITOR

Adam Brooks and Matthew Kennedy lead the charge in the new Astron-6 film The Editor.  The two of them impressively split the jobs of producer, director, directors of photography and writer (with Conor Sweeney)… as well as both acting in the film!  Just a few of the many hats they wore, actually!

We caught up with them for some insights on their brand new Giallo Comedy flick!

1. What's your favorite giallo movie? 

Matthew: I like Suspiria, Tenebre and the first giallo movie that I watched which was Bava's Bay of Blood or 'Twitch of the Death Nerve'. I bought it online because I heard that Friday the 13th 2 stole some deaths from it. I didn't even know it was a giallo at the time or what a giallo was... 

Adam: Don't Torture a Duckling 

Matthew Kennedy

2. What's your favorite comedy? 

Matthew: This is really hard for me to choose but I really like Wet Hot American Summer and most films by David Wain. I'm also a big fan of all of Woody Allen's comedies, particularly Play it Again, Sam. 

Adam: Yes such a hard question... Maybe Groundhog Day or Billy Madison or Wanderlust or The Big Lebowski... The 40 Year Old Virgin... This is the End?.... I dunno... Too hard. 

3. Giallo-comedy! Where'd that concept come from? 

Matthew: We love comedy, we love giallos. Everything we do has a touch of comedy and giallos already come with their own pre-exisiting dash of comedy, I'd say. 

Adam: We like to make each other laugh, so there's the comedy element. And as for the giallo element - I think we'd like to make every genre of movie, and now we can check giallo off that list. 

4. Can you talk about your experience with Indiegogo for this film? 

Matthew: Indiegogo served us well. We would not have been able to shoot the film in 4k without that campaign. We still have to deliver some prizes that we couldn't mail until the film was finished. We were still shooting as recently as June so we haven't had a moment to breathe. 

Adam Brooks

5. How has your filmmaking process adapted from the early days of Astron-6 to your work on The Editor? 

Matthew: It has only become harder and harder and harder. Every movie we shoot is more work than the last. The early days of Astron-6 were really the glory days. It was just getting together with your friends and making something that made you laugh. We laughed so much back then, and we still do, it just comes between all the awful pain, depression and exhaustion. 

Adam: Yea I think I see where you're going with this question and I want to tell you that it's a whole new world now and we sit in director chairs and have people get us coffee. But the truth is nothing has changed except the workload got bigger. We still have to phone the actors, drive them to set, pack all the gear, the props the costumes into our tiny cars, set everything up, buy people food, pay for parking, tear down, and drive people home. Then at home we work on props or set dec for the next shoot, and play around with some editing. So it's really no different. We still shoot mainly without permits and do our own stunts too.

THE EDITOR screening times:

Thu., Sept. 11th, 11:59 PM, RYERSON 

Fri., Sept. 12th, 9:15 AM, SCOTIABANK 3
Sat., Sept. 13th, 6:15 PM, SCOTIABANK 4

WHAT WE DO IN THE SHADOWS: Sundance Buzz!

The funniest movie of the year: brought to you by these incredibly cool dudes. 

We're not sure if we even need to get you guys more excited about the Canadian Premiere of What We Do in the Shadows but we're gonna do it anyway. If you feel your levels of excitement reaching dangerous levels, have a pudding break. You earned it.

What We Do in the Shadows premiered at Sundance this past January and it's pretty safe to say that everybody loved it. The vampire flick screened to packed houses and the Q&As that followed were almost funnier than the movie.

Drew McWeeny of HitFix described the film as having "brutally silly majesty" (Uh, can we steal that for our Twitter bio?) and went on say:

Of all the horror-comedies I've seen here this year (and it's been a pretty solid crop overall), "What We Do In The Shadows" is easily the funniest, and it's because of how completely they engage with their subject matter. This isn't just a "Scary Movie" style regurgitation of images or scenes from other movies. This is a deep excavation of archetype, and in scene after scene, they find smart, character-driven ways to build extended riffs on both the mundane annoyances of modern life and the various ways we've approached vampires over the years.

Hilarious AND with a high-five to actual vampire lore? We're just glad to hear they won't be sparkly. Phew.

Ryland Aldrich of Twitch Film adds:

...this mockumentary showcases the talent of some of New Zealand's most hilarious comedians and is sure to have you laughing until you bleed.

What?! We love laughing until we bleed! Everybody, we'll just call in sick to work the next day, alright? Good plan, good plan. And, check out this intimate fireside chat where the filmmakers and cast muse about who actually are the vampires (we're looking at you, Hollywood) and explain how one edits a film.

We're hoping you can handle a litttllleeee bit more excitement because to end off this delicious, tasty post, we've put together some of our favourite tweets from during Sundance. Below that you'll find all the screening information so that you can join us and hopefully laugh yourself right to the hospital for internal bleeding. If you're on the ol' Twitter, follow the film's account for even more tasty updates: @DeliciousNecks. 

What We Do in the Shadows is screening at the 2014 Toronto International Film Festival as part of the Midnight Madness Programme. Check out more Midnight Madness films on the official Festival website!

WHAT WE DO IN THE SHADOWS screening times:

Friday, Sept 12th 11:59 PM, RYERSON
Saturday, Sept 15th 9:30 PM, SCOTIABANK 12
Sunday, Sept 14th 3:45 PM, SCOTIABANK 3

Video: ALMOST HUMAN World Premiere Interviews

ALMOST HUMAN had it's world premiere last night. It was reported that the last that was seen of Robert A. Mitchell was just prior to numerous reports of a bluish beam of the light from the sky that washed out the red carpet in bluish hues. Attempts to reach him have proven fruitless, however, this footage of interviews with the director Joe Begos and his cast and crew was uploaded from an disclosed location.



ALMOST HUMAN Screening Times:
Wednesday, Sept 11th, 7:15 PM SCOTIABANK 3
Friday, Sept 13th, 2:30 PM SCOTIABANK 9
 

AFFLICTED Midnight Madness World Premiere Interviews

AFFLICTED had it's world premiere last night at Midnight Madness. Here are Robert A. Mitchell's interviews with Derek Lee and Clif Prowse the writing, directing and acting team behind the film.



AFFLICTED Screening Times:
Wednesday, Sept 11th, 8:45 PM SCOTIABANK 9