Showing posts with label Douglas Aarniokoski. Show all posts
Showing posts with label Douglas Aarniokoski. Show all posts

9/29/11

The Red Carpet Interviews for THE DAY

The Midnight Madness Red Carpet was rocking Thursday Sept. 16th when Doug Aarniokoski's post-apocalyptic film The Day had it's world premiere. I had the opportunity to speak with actors, Dominic Monaghan, Michael Eklund and Ashley Bell as well as director Douglas Aarniokoski and producer Guy Danella. Here is the video:




9/16/11

@thesubstream - Midnight Madness '11 Ep. 08: The Day!


What would you do if the apocalypse came tomorrow? Do you have your machete ready? We asked this question of some die-hard Midnight Madness fans in line for last night's screening of The Day, a dreary post-apocalyptic yarn starring Dominic Monaghan, Shawn Ashmore and Ashley Bell. It was the first real red-carpet affair of this year's Midnight Madness program which got Rajo pretty excited, let me tell you. Or, hell - why not just watch for yourself? thesubstream.com's coverage of TIFF 2011 Midnight Madness continues!

9/15/11

THE DAY Premieres at Midnight Madness Tonight!

 

Tonight is the world premiere of Douglas Aarniokoski's The Day, shot in the post-apocalyptic wasteland of Ottawa!






THE DAY screening times:
Thurs., Sept. 15th, 11:59PM, RYERSON
Fri., Sept. 16th, 3:00PM, SCOTIABANK THEATRE 2
Sat., Sept. 17th, 9:45PM, SCOTIABANK THEATRE 11


9/8/11

Interview with THE DAY Actress Ashley Bell


1) It seems to me at least that genre films have seen a remarkable shift in the past several years and the roles for women are moving from victims to strong leads and protagonists. Your recent roles seems to reflect this trend. Are you finding more scripts and roles that are more than one-dimensional characters? Do you think the opportunities for women in the film business are getting stronger?

I’ve been blessed with playing 3 dimensional characters. When Guy Danella (producer), Doug Aarniokoski (director), and Luke Passmore (writer) approached me with the script I jumped at the chance to play a badass who refuses to be a victim. I was attracted to Mary because she was both an emotionally and physically challenging character.
2) Could you tell me about your character in the film, Mary?
What interested me about Mary was that she was determined to be a survivor. I loved the fact that she has to hone all her instincts and physical abilities to live in this apocalyptic world. Even with all the horrors she has faced, she still maintains her humanity.
3) I was wondering what kind of research you did to prepare for your role in The Day? Have you ever shot a gun before?

Yes, I have been to the range on a number of occasions, and generally enjoy working with guns. My weapon of choice is a 9mm Berretta. But I’d never worked with a shotgun before, especially one that’s as tall as me. All the bruises I received from working on the film were like medals of honor. To acquire the look they wanted, I ate just enough to work out. Besides a lean vegetarian diet with some fish, I did a mix of cardio and weights twice a day, paired with ballet for flexibility. I privately worked with a stunt woman since I knew I had to do most of my own stunts.

4) The film was shot in Ottawa, and from the early stills looks to be late in the year, what difficulties did you face with the elements during production?
The first clue was when I sat down with Doug Aarniokoski and Guy Danella and they tried to talk me out of doing the film. They told me I’d have to loose weight, add muscle, learn how to shoot a shotgun, do your own stunts and survive in below freezing weather... I said sign me up! It was a challenge, but that’s what I love most about acting. There’s a moment, where I’m in a sub zero creek, in a wet dress, clutching a real shotgun, in below freezing weather with a wind chill and I thought: in what alternate universe would I ever get the chance to do this?
5) It's hard not to mention that you have worked with Midnight Madness alumni, Eli Roth, on The Last Exorcism. What did you learn about acting and film making from Eli?
Eli Roth is a master storyteller, and a genius of the horror and thriller genre. Just watching him work is a learning experience. I saw him edit a scene on The Last Exorcism and with just three tweaks he transformed a scary scene into something absolutely terrifying.


6) You have said in numerous interviews that you have wanted to work in a comedy, what's next for you? Are there any pratfalls in your future?
I want to do Bridesmaids 2! I’ve got my broken fingers crossed for a physical comedy where I play a beautiful debutant who falls in love in Paris, but not in the Seine. *ba dum ching* I recently finished a pilot called Grow, where I play drug dealer, and I’m attached to several projects that I’m sworn to secrecy about.




THE DAY screens:

Thur., Sept. 15th 11:59pm Ryerson
Fri., Sept. 16th 3:00pm Scotiabank Theatre 2
Sat., Sept. 17th 9:45pm Scotiabank Theatre 11

9/6/11

Interview with Douglas Aarniokoski Director of THE DAY


Douglas Aarnioski always wanted to work in the film business, taking the advice of his mother he got a job on the Universal Studios lot so, as Douglas said, "on my days off I could walk around the backlot and pass out resumes." He landed a work behind the camera and has built an insanely impressive filmography as an assistant director and a second unit director working with such film makers as Robert Rodriguez and Terry Gilliam. The Day marks his third feature as a director and his first ever film at Midnight Madness. I recently had the opportunity to ask Mr. Aarniokoski some questions.

1) The Day is your second feature as a director, however you've had numerous experiences as a first assistant director & 2nd Unit Director. How vast is the difference moving from first A.D./2nd Unit to the director of a film?
It's DAY and night. As an AD you are really in charge of the nuts and bolts of the film making process and facilitating the vision of the director. My 2nd Unit directing however was a great way to get me ready for directing in the sense that you are given portions of the story and it's my job to make it fit seamlessly with the directors footage. Granted we are usually blowing up shit and filming car chases, but the story has to work within the scene or the action has no guts to it.
2) What did you connect to in this story that made you say I want to be in the director's chair on this film?
The struggles that these five characters go through within the course of one DAY. Both physically and emotionally. And it is just a wickedly fun ride--I literally read the script in 40 minutes the first time I read it, picked up the phone, called Guy Danella (producer) and said I have to make this. And we never looked back.....
3) You have worked with Robert Rodriguez on numerous films, From Dusk Till Dawn, Once Upon A Time in Mexico come to mind, what did you learn about directing from Robert?
Robert was my mentor--he was my film school. He was the one who said, "pick up the camera and go do it, you learn by doing." We would shoot all day on separate units when I was shooting his 2nd Units, and then stay up into the wee hours of the night editing. Then we'd get up and rock and roll again the next day. I learned the importance of story and how to connect with actors.
4) You were also first assistant director: second unit on Fear and Loathing in Las Vegas is there a memory you can share working with Terry Gilliam?
Mr. Gilliam was so collaborative with everyone on the crew. His mind works in a way like I've never seen. He pushes you to think in the most unconventional way. It's amazing to see a true artist at work....I've been able to tap into those moments when conceiving the way I approach a film project.



5) What was your experience shooting The Day in Ottawa, Canada?
Fucking Cold!!!! Did I mention it was cold? HAHA--We had a crazy schedule that was literally eat, sleep, work. The actors had to be on the set all day every day in extreme conditions and fight through it....the crew was amazing and resilient. We became like a family in order to pull off an impossible story.
6) How did the Northern surroundings lend themselves to the atmosphere of the story?

It was perfect--isolated, desolate, and harsh. It kicked our ass and just kept coming....but we were looking for just that. We had scouted all over the states and Canada to find the perfect setting. Ottawa provided that, in spades.

7) We have been seeing a lot of post-apocalyptic films recently what makes The Day different and unique from the other films in the genre?
The setting is post-apocalyptic--but the story and the depth of these characters you'll meet are unlike any you've ever seen. The world that is created here is raw and real. It's gonna grab you by the balls and not let go.
From your first job in show business being a tour guide on UniversalStudios lot to having a world premiere at the Toronto International FilmFestival, congratulations! I look forward to meeting you.
Yeah, it's been an amazing journey. HAHA, sitting on a tram in Universal Studios and getting to talk about the history of film and how is all comes together to now being blessed to have the opportunity to tell stories and make movies--wow! It's something I will never take for granted and a path that I would not change for anything. Enjoy the festival everyone and hope to see you at The Day. Peace, Doug A

Here is the trailer for THE DAY:


THE DAY screens:

Thur., Sept. 15th 11:59pm Ryerson
Fri., Sept. 16th 3:00pm Scotiabank Theatre 2
Sat., Sept. 17th 9:45pm Scotiabank Theatre 11